Collecting natural materials from dryland flux towers

The Yanhaku (Breathe In) series portrays the dance between ecosystems and people as they breathe to balance and sustain one another.

Aweklan Tsit’da, or Mother Earth, has many moving parts and living entities from the atmosphere to the soils of the lands we live on. In Zuni culture, the meaning of breathing in (Yeh’chu) and adding breath (Binnan Dehliyah:u) is the action of gratitude for what Mother Earth has given us to be here today and to continue the song, dance and prayer for continued “breath”. The Southwest offers drought and temperature extremes and its habitants have co-survived these harsh elements by utilizing the seasonal availability of plants and minerals to sustain both life and tradition.

Artist Mallery Quetawki and ecologist Marcy Litvak visited grasslands, pinon juniper woodlands and alpine coniferous forests spanning a ~5000 ft gradient in elevation and climate where Mallery collected natural pigments and materials from the soil and plants collocated with Marcy’s water, carbon, and energy flux measurements. Working with scientific data and Indigenous knowledge, Mallery integrated ecological and cultural layers of semi-arid ecosystems into her work. What may appear sparse on the surface becomes a place rich with biodiversity, knowledge, memory, and natural gifts from life underground

Photographs of flux tower spread along the New Mexico Elevation Gradient sites, including the Ponderosa Pine (US-Vcp), Pinyon Juniper woodland (US-Mpj), and Desert Shrubland (US-Ses) sites with details of beetle borings, yucca, and christmas berry.

Mallery Quetawki is creating the Yanhaku (Breathe In) series from traditionally gathered materials at flux tower sites, including mineral and plant pigments, yucca root, and cactus fruit. The carbon seasonal cycles represented in the works evokes the breath in and out of this ecosystem.